An imagined luxury bunker: a crimson chair, malachite columns and a library beyond a circular vault door

Enter the house of obsessions

AgainstNature

Joris-Karl Huysmans · À rebours · 1884

The world was unbearable.
So he built his own.

Disgusted with Paris, Des Esseintes withdraws to a house arranged entirely around his tastes: rare books, perfumes, paintings and increasingly elaborate experiments in pleasure.

Translated by Aurélie Chambord · Edited by Lee Raymond
The Restored and Unabridged Edition

Against Nature: The Restored and Unabridged Edition, by Joris-Karl Huysmans — Time Warp Editions paperback cover

The restored and
unabridged edition.
357 pages · Paperback
Look inside the edition →

01 / The retreatA room designed to keep the world outside

Huysmans’s novel of retreat and excess

Inside the retreat
of Des Esseintes.

In Joris-Karl Huysmans’s Against Nature (1884), an aristocrat gives up Parisian society and devotes himself to furnishing a secluded house. He has the money to indulge almost any preference. What follows is an intimate account of his enthusiasms, prejudices and failing health, often funniest when he is most convinced of his own good taste.

The cabinet of obsessions

Three objects from the novel

The things he
chooses to live with.

In Joris-Karl Huysmans’s Against Nature (1884), furnishing a house extends to decorating a tortoise, arranging liqueurs as an orchestra and composing landscapes from perfume. These episodes give a sense of the novel’s extraordinary detail. Choose an object below to read about the scene it comes from.

A visual interpretation of the tortoise with a jewelled shell in Against Nature

Artwork inspired by Chapter IV

01 / The jewelled tortoise · Chapter IV

A tortoise to suit the carpet.

Des Esseintes buys a tortoise because he thinks its dark shell will bring out the colours of an Oriental carpet. Dissatisfied with the effect, he has the shell gilded and encrusted with gemstones. Huysmans describes the selection of the stones at length, while the creature carrying them barely enters its owner’s calculations.

The tortoise shares Chapter IV with another of his inventions: an organ made from liqueur barrels.
A closer look at Chapter IV →

From the room to the page

A taste of the translation

An imaginative illustration of the mouth organ of liqueurs in Huysmans’s Against Nature: glowing reservoirs, brass taps and crystal glasses
A visual interpretation of Des Esseintes’s tasting apparatus

An orchestra
of liqueurs.

In Chapter IV of Joris-Karl Huysmans’s Against Nature (1884), Des Esseintes matches the flavours of liqueurs to the sounds of musical instruments. Dry curaçao suggests a clarinet; kirsch, a trumpet. The selections below quote Aurélie Chambord’s translation, alongside the edition’s note on his invention.

“Dry curaçao, for example, to the clarinet, whose song is tart and velvety”

Chapter IV · printed page 56
The correspondences are Des Esseintes’s imaginative associations.

Inside the Time Warp Edition

The mouth organ

“He called this assembly of liqueur barrels his mouth organ.”
Open the note · Chapter IV, note 9

“Des Esseintes’ device — a rack of liqueur barrels with interconnected taps, each assigned the ‘voice’ of a musical instrument — is one of the novel’s most famous conceits. It exemplifies the Decadent fascination with synesthesia, the blending of senses: here, taste becomes music.”

Excerpt from the note on printed page 61.
Punctuation adapted for display.

Read the passage and see the printed pages →
Photograph of a physical Time Warp Edition of Against Nature on a wooden table
A physical copy from the publisher’s collection.
Explore the paperback edition and sample pages.

The Time Warp Edition

The complete novel,
with notes and context.

The Time Warp Edition of Joris-Karl Huysmans’s Against Nature (1884) includes the whole of Chapter VI and the passages from Chapter IX omitted in John Howard’s 1922 translation. Aurélie Chambord’s translation is accompanied by Lee Raymond’s introduction, chapter endnotes and material on Huysmans and the Decadent movement.

The restored passagesChapter VI in full and the missing material from Chapter IX. What was left out →
Introduction and endnotesLee Raymond’s introduction and notes on the novel’s art, literature, religion and sensory experiments.
Huysmans and his readersThe 1903 preface, Field Notes of the Decadence, biography, chronology and contemporary responses.
The paperback357 pages · 5.5 × 8.5-inch paperback.
ISBN 9781967573141.
Ruby perfume glass releasing a cloud of amethyst, crimson and sapphire colour

Against Nature · À rebours

Spend some time
in his company.

Read the restored and unabridged novel in Aurélie Chambord’s translation, with an introduction and notes from Time Warp Editions.

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